Hangal is 35km frmo the district headquarters
Haveri. .It is on the left
bank of the Dharma River, and has ruins of some
fortification on the river bank; the town has a huge lake near Billeshwara
temple called Anekere. Hangal was
the capital of Hangal Kadambas feudatories
of the Kalyani
Chalukya. It is mentioned as Panungal in early
records and identified by tradition with Viratanagara of
Mahabharata days.
The town has a huge Tarakeshwara temple. Other temple in the town are Ganesha temple,
Virabhadra, Billeshwara and Ramalinga are the important temples.
The
Tarakeshvara temple on plan consists of a Garbhagriha, Antarala, Navaranga, Sabhamandapa
and a Mukhamandapa is a good example of the Kalyana Chalukya architectural
style. Originally the Navaranga had Praveshamandapas on north, south and
eastern sides. At present the north and southern Praveshamandapas have been
converted into Garbhagrihas. The Garbhagriha has indented plan and enshrines a
tall Shiva linga installed on a Panipitha having Kadambastylistic futures.
The
intricately carved decorative doorways of the Garbhagriha has Panchashakas. On
either sides of the decorative doorway of the Antarala has trellis (Jalandhras).
The lathe turned pillars inside the Antarala has a decorative ceiling
(Bhuvanesvari). The entrance way has intricate carvings.
In
front of the garbhagriha is the Sukhanasi with four intricately carved pillars
and a Nandhi is placed in the middle. The Sukhanasi situated on the right and
left sides has a Linga and Parvathi sculpture respectively.
The
main Garbhagriha enshrines a Linga which is called Tarakeshvara, sculptures of
Vishnu, Brahma, Kartikeya and Nandhi. The exterior walls of the temple has
bas-relief sculptures of Ramayana. The incomplete carved images of the
Dvarapalakas are attractive. In the Mukhamandapa Hero-stones, inscribed sculptures
and a few mutilated sculptures are kept. The Kadamba-Nagara Sikhara above the
Garbhagriha has intricately carved decorations. It has a sculpture of hero
fighting with a Lion resembling the Hoysala emblem.
The temple is famous for its very large domical ceiling in the main hall, which rises, in concentric circles of cusped
mouldings, and then, at the apex, falling again in a great rosette
or pendant. The Sabhamandapa with four
entrance ways is stellar shaped and Hoysala styled huge pillars therein
supports the upper beams. The rock is carved in
the form of a lotus and
is 30 feet in diameter, is a octagonalpiece
of stone supported on 8 pillars.
The
Kakshasana has polished pillars that are variously styled and shaped runs all
along the Mandapa. The subsidiary ceilings (Bhuvanesvaries) found in the
Sabhamandapa is plan while the centre one has the depiction of a flower-bud
motif. The Mukhamandapa has also Kakshasana. The exterior wall of the temple is
decorated with pilasters and Devakosthas. Garbhagriha ha four tiered sikhara
with Sukhanasi projection. A tall stone pillar stands in front of the temple.
An
inscription records a grant made to the Tarakesvara temple while another dated
1121 AD records the construction of Tailesvara temple and land grants made to
it by the Mahaprashana Masana.