Basadi Halli Jinalaya's,Halebeedu

Halebidu Heritage trip Part -(2)

A just few steps away from the Kedaresvara temple is Basadi compound south of Basadihalli, located close to the Hoysaleswara Temple where there are of Adinatheswvara, Shantishvara and Parshvanatheshvara Jain Basadis with agleam black stone pillars is considered as a part of the group of the Jain cloisters is considered as the most important Jain temple. Hardly a stone’s throw away but cut off from the tourist circuit is the nonchalant hamlet of Basadihalli with three Jinalayas dating to the period of King Vishnuvardhan who was earlier a Jain called Bittideva.

Halebid is said to have originally contained no less that 720 Jain Bastis but now there are only three of them remains. This Jain temples at Halebid of which are believed to have been built during the reign of Hoysala period, was built around ShantalaDevi reign. Though Vishnuvardana converted to Hinduism at the instance of Sri Ramanujacharya he & his queen patronised Jain faith too, his wife Shantala remained a Jain and built Jaina temples.

The Parsvanathesvara Basti is the Largest of these Bastis containing an image of Parshvanatheshvara which is a piece of beautiful workmanship. Among these three shrines, Parswanathaswamy Temple is the most noteworthy the twelve pillars that hold the doom appear thoroughly polished and have been shaped attractively. These pillars have been made in a very fine and very attractive manner. All the pillars consist of some beautiful images. The lathing of these pillars has been done very well and all the images are very different from each another. The shine on these mirrors allows the visitors to see their faces very clearly.

 

This Basadi looks simple at the outside, but possesses very rich decorations inside. The sculpture of the underside sealing, called Bhuvaneshwari, is very attractive. The round pillars of nice resplendent black stone found in the Navaranga portion reflect the spectators images!.There is a special place for such exquisite pillars in Hoysala architecture. Lord Parshvanatheshvara figure fourteen feet in height & with curly hairs is made out of black granite stone. On the figurine, a seven-headed serpent has been imprinted appears to be protecting the Lord. Another tall pillar with a sculpture of Brahma stood outside one of them while the ancient well here was almost dry

The central temple is of Lord Adinatheswvara while Shantishvara is located in the east and both of these temples have their own importance in their religion. Adinatha Basadi was built by Devara Heggade Malli Mayya. It is a little one containing proportionately a little Navaranga and a little sanctuary. A Saraswatee idol exists in the Deva Koshtha of the Navaranga. Since the original idol of the sanctuary is broken, it has been deposited in the neighboring Saantinatha Basadi.

Saantinatha Basadi is a high and broad Basadi situated on the right of the Adinatha Basadi. One going by the name Madhukanna Vijayanna built this beautiful jinalaya in 1256 AD with the substantial encouragement offered by the association of the businessmen of Dhorasamudra. The outer wall of this Basadi is ofcourse very simple. No embellishments there with decorations and idols. But here too, in the Navaranga portion, there are huge shining round pillars taking their appropriate positions. A monolithic 15ft idol of Santhi natha satnds in sanctuary in the Sthanaka posture. Once in 12 years the Head Bathing Festival (Mahamasthakabhisheka) takes place here. Facilitating the bathing performance brick steps have been built in a convenient way. In front of the Basadi entrance there is a measuring column call Manastambha as lofty as 30ft.

 

The Archaeological Survey of India board gave us some information dedicated to Parshwanatha, Shantinatha and Adinatha, these Jinalayas were built in memory Boppadeva. The big Basadi Facing the entrance of the Compound is called Vijaya Parshwanatha Basadi. This was completed in memory of Ganga Raja. The commander of Vishnuvardhana Raya 1113 AD, by his son Boppadeva. Originally as a memoir of the title of Ganga Raja it had the nomenclature styled as Dhrohagharatta Jinalaya. During the opening ceremony of the Jinalaya, Vishnuvardhanaraya became Victorious in the battle of Bankapura. So this was renamed as Vijaya Parswanatha Jinalaya and was honored with royal donations for its maintenance.

Attached to the walls of the Navaranga there are in all 24 Peethas (seats) indicating the east while existence of the idols of 24 Teerthankaras there. They have all vanished today. In-front of this Basadi there is a Mukha Mantapa (Portico Hall) comprising many pillars, along with a big inscription describing the construction of this Jinalaya.

All these three Basadi's being comprehended with in one compound, have common Pushkarnee on the north -east corner of the compound.These Jain Temples are renowned for their decorated pillars which are highly polished almost resembling mirrors. The construction of Basadi Halli temple is of very high grade and consist of many appreciable carvings that can be seen all over specially at the top of the doors.

Chandragiri hill - Grandeur of the Temple complex

In the town of Shravanabelagola is the Chandragiri Hill temple complex, which is home for Jain monuments. Just opposite of the Vindhyagiri site, the small hill of Chandragiri is situated. Steps have been cut into the hill to make ascent easier for the visitors. A vast expanse of granite rock scatted large and small boulders can be found en route to the peak. The smaller hill known locally as Chikkabetta rises about 200 feet above the plain and is 3052 feet above the sea level and here inside a huge compound, are many monuments.

In the old inscriptions it is designated as Katavapra (Black hill), in Sanskrit and as Kalvappu or Kalbappu in Kannada. A portion of this hill is known as Tirthagiri and Rishigiri. With the exception of one shrine, all the basadis on the hill are enclosed in a walled fort area. Almost all the temples are built in the Dravidian style of architecture, the oldest of them going back probably to the eighth century A.D. Altogether the number of the temples in the walled fort area is fourteen and their plans are mostly similar to one another.

This hillock is one of the oldest Jain pilgrim centers in the south as it has the tomb of Bhadrabahu Muni and many other great Jain devotes. First we noticed Kuge Brahma Stamba (pillar) a highly decorative pillar with an image of Brahma. A small seated figure of Brahmadeva is positioned at the top, facing east.

The pillar stands on a high platform of three tiers; the lowest is broad and squared the middle one octagonal, and the upper one circular. The Pithas were originally held in place by eight elephants, each oriented towards the diks and vidiks (the four directions), but now only a few remain. Lions are carved at the middle tier, with the asta-dik-palakas with retinue and musician are represented. An inscription on the pillar notes the death of the Ganga king Marasimha II, in 974 A.D., so the Pillar was likely installed not much after that date.

The Tyagada Brahmadeva pillar stands 2.30 meters high. It was erected in front of the enclosure leading to the colossal Bahubali shrine. The pillar has a small Gopura on top with Kalasa as the crown. Inside is the seated figure of Lord Brahma. The four side of the pavilion on top contain Jain figures, facing the four directions.

The erection of free-standing pillars like Kuge Brahmadeva represents an interesting aspect of Ganga art. Jain pillars are generally of two types: Manasthambas and Brahmasthambhas. The Manasthambhas, also known as Indrasthamba pillars, are those which have a pavilion at the top contain figures that face the four directions. In the case of Brahmasthambhas, a seated figure of Lord Brahma sits at the top. The huge Kuge Brahmadeva pillar at Chandragiri and the Tyagada Brahmadeva pillar at Vindhyagiri are excellent examples of free-standing pillars from this period, and both stand as witness to the importance of Brahmadev in the Jain cult.

Next is the Basadi housing Shanthinatha and Suprashwantha. Soon after is seen the Parshwanatha Basadi with a tall Manasthamba in front of it.

There is the Chavundaraya Basadi built by Jinadevana, the son of Chavundaraya, who had installed the Gommata monolith. The basadi houses Neminatha. The Shasana Basadi known of because it has a large stone inscription (Shasana) in front of it, actually houses Adinatha. The Chandraprabha Basadi is the creation of the Ganga king Shivamara II (788- 816 AD.). The Savathi Gandhavarna Basdi was raised by famous Hoysala queen Shanthidevi.

Chamundaraya basadi in Shravanabelagola is one of the largest Jaina temples on the hill both in style and in decorative features. The temple is 68 feet long and 36 feet wide. The temple consists of a Garbhagriha a Sukhanasi a Navaranga and a Mukhamantapa. It has an upper storey above the Garbhagriha and Dravidian Sikhara. The outer walls have decorations of pilaster over which are three friezes containing ornamental niches, Yalis and seated Jina figures. The outer wall of the upper Garbagriha also has similar three friezes over which are a simple Dravidian Sikhara. These mouldings attract the visitors even from a distance. The Mukhamandapa rests on 4 pillars with sloping eave on all the three sides. Thus the whole temple is very elegant. The lower part of the temple is interesting it has undecorated flat base with neatly cut roundish and projected moulding above. There is a similar but smaller moulding above. Between the two mouldings is a highly decorated eave is prominent at the roof level. This is the most decorated part of the structure and adds a special grace.

The Kattale Basadi also called the Padmavathi basadi has an image of Yakshi Padmvathi in it but main diety here is Adinatha and is a considerably huge structure. The Chandraguptha Basadi though small is the oldest a creation of the local Ganga rulers and is believed to have accompanied Bhadrabahu Muni to his place. The frontal entrance gate is of the days of the Hoysala dynasty, highly emlellished. The three shrines here house Parshwantaha at the center and the Yakshis, Padmvathi and Kushmandini in those on either side.

At Present there is a sculpture of Naminatha in the lower Garbhagriha, five feet in height flanked by male Chauri bearers on either side. The Garbhagriha doorway is decorated and has Sarvaha Yaksha and Kushmandini Yakshi. It is believed that this Neminatha image originally belonged to another temple but now kept here. The upper Garbhagriha has an image of Parsvanatha of three feet in height. Its Pedastal has an inscription which states that Jinadeva, son of the minister Chamundaraya built this Jina Temple. Perphes this refers to the consecration of the image in the upper Garbhagriha, The inscription on the pedestal of Neminatha states that it was consecrated by Echana, son of minister Gangaraja of the Hoysala period in 1128 AD. And the upper storey was added by Chamundaraya’s son Jinadeva in 995 A.D. and the present image was bought from some other temple and consecrated in 1128 AD. The very fact that it is named after Chamundaraya is taken as evidence to say that it was built by him who also set up the great colossus of Gommatesvra here.

The Mahanavami Mantapa, Majjiganna Basadi, Eradukatte Basadi etc. are other monuments here, Near the Mahanavami Mantapa is an unfinished image of Bharatha, Bahubali’s elder brother about two meters in height top till his kneecap near it is Iruve Brahma Shrine.

The deity of Lord Brahma at Iruve Brahmadeva is carved out of solid rock, done in the Late Phase of Jain Basadi sculpture. The image is fairly small. The temple sits to the north in the main Chandragiri complex. There, the solitary shrine consists of a Garbhagriha, with the low relief deity of Brahmadev. An inscription on the doorway dates the temple to about 950 A.D.

The history of this hillock dates back to 2nd Century B.C. and has a history that is 1000 years older than that of Indragiri. We can find many inscriptions spread across the hillock. These inscriptions help us understand the antiquity of Jainism and Shravanabelagola.

The recorded history surrounding the hill started in 300 BC when Shruthakevali, Bhadrabahu and Chandragupta Maurya visited the place in order to attain religious peace. The Small Hill derives its name of Chandra from the fact that Chandragupta was the first of the Rishis who lived and performed penance there.

 Bhadrabahu Cave

A number of Jain Basadis are found on the Hill. Some of the prominent ones are Shantinatha Basadi, Parshwanatha Basadi, Chandragupta Basadi, Kattale Basadi, Majjigana Basadi, Shasana Basadi, Chandraprabha Basadi, Parshwanatha Basadi II, Chavundaraya Basadi, Eradukatte Basadi, Savatigandhavarana Basadi, Terina Basadi, Shantishwara Basadi, Iruve-Brahmadeva Basadi. Apart from these a number of other monuments such as Bhadrabahu Cave, Marasimha's Manastambha, Mahanavami Mantapa, Bhadrabahu Inscriptions, Gangaraja Mantap and Nishidhi Mantaps can be found on Chandragiri.

Photos by  - I  and Ashok SB